Thursday, 23 March 2023
Mr Bolbos
Friday, 20 January 2023
A Podcast Interview: Steve Rubin's Saturday Night at the Movies
I was happy to receive an invitation to take part in a podcast interview with Steve Rubin for his series Saturday Night at the Movies. This came about thanks mainly to Budd Burton Moss, to whom I am eternally grateful. Follow the link below. Can be heard on Apple, Spotify and Google too.
https://steverubinssaturdaynightatthemovies.podbean.com/e/episode-51-derek-schulthorpe/
Tuesday, 21 June 2022
Ruth Roman A Career Portrait
One of the most underrated actresses of the 1950s, Ruth Roman deserves credit for carving a career in Hollywood during the latter part of its Golden Age. Hailing from a poverty-stricken background in the East End of Boston, she tenaciously followed her dream despite constant setbacks and being told she would never make the big time. After a breakthrough with key roles in The Window and Champion she reached star status at Warner Bros. as the last contract player. Thereafter she made an impact in a wide range of parts, including as a modern-day Lady Macbeth in Joe Macbeth and an independent career woman in the Klondike in The Far Country opposite Jimmy Stewart. Later she found great success on television and made a memorable return to the screen in the cult psycho-horror The Baby. Along the way she was married four times and almost lost her life in a disaster at sea. Ruth Roman A Career Portrait is the first book ever written about her and is published by McFarland & Co. to celebrate the centenary of her birth. See details here
Monday, 17 January 2022
Malcolm Scott "The Woman Who Knows"
Belated tribute to a forgotten star of music hall
| Scott in his send up of the Directoire style |
Tuesday, 21 September 2021
The Lost World of Music Hall
After several years and a number of false starts, my book about music hall has now been released. The Lost World of Music Hall is published by Bear Manor Media. It covers ten individuals who each represented some aspect of the national character during the heyday of the halls and the way they adapted to the many and rapid changes of the twentieth century. Among the names are Nellie Wallace, Lily Morris, Billy Bennett, Charlie Higgins and Norman Long. Several found a new lease of life on radio and others recorded extensively. Included is an in-depth discography and catalogues of the songs they sang but never committed to shellac. I hope the book stands as a fitting tribute to some forgotten stars and an introduction to the subject for those intrigued to know more about our entertainment past.
Follow Link Below
Monday, 20 September 2021
Margaret Cooper The Diva of the Humorous Song
Margaret Cooper (1877-1922) was an entertainer at the piano, popular in the first quarter of the twentieth century and at one time reputedly the highest paid female star. She sang her light and witty ballads in a light soprano, but much of her appeal was in the way she presented her art, which was a performance in itself. There has hitherto been no substantial profile of any kind about her, since she published her own slim volume of memoirs in 1909. Until now, that is, because she is one of the principal subjects of my book The Lost World of Music Hall (Bear Manor Media, 2021). La Cooper was a fellow of the Royal Academy of Music, who found success against all the odds on the vaudeville stage. See details here
Monday, 9 August 2021
Alfred Lester "Always Merry and Bright"
One of the subjects of my forthcoming book The Lost World of Music Hall (Bear Manor Media, 2021). Excerpt below:
"Alfred Lester was a lugubrious comedian who avoided the jolly idiot approach and perfected the persona of the ultimate pessimist. It could be argued that he channelled the underlying fatalism of Music-Hall into his stage characters, although much of that outlook was decidedly his own. He found his greatest popularity in Britain on the revue stage from the Great War up until his sudden death in 1925. If he had been reincarnated as a film comedian it would have been one in the Buster Keaton mould. Unlike Keaton, Lester is almost completely forgotten and liable to remain so. However, he was a good example of a different type of comic approach and one who successfully straddled the music hall and revue stage, pointing the way forward for others."




